Apologies for the tardiness of this week’s post. One of the challenges we face when discussing White is that he represents something completely different from what we are accustomed to find in the aesthetics of a modern novel. He is intentionally, defiantly anachronistic; he does not shy away from didactic discourse; he combines different generic traditions in unexpected ways; and he engages in an eccentric literary critical debate with Malory.
So what do we do with him? How do we talk about this book?